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I’m pretty sure I’ve mentioned a time or two that my brother really loves Brandon Sanderson and has read most if not all of the books the guy has written. I’ve had in my kindle library for a long time The Way of Kings and according to google that or Mistborn: The Final Empire are where you’re supposed to start when reading his stuff. Now my brother has given minor spoilers as he’s read it and talked to me about it. Never like huge plot points but he’s mentioned minor things. Like how the magic works or how the interconnection works and maybe now and then talking about a character. Honestly most of it I’ve forgotten so it’s almost a fresh start to reading this. I decided since I’d done so many film reviews that maybe I should sit down as an author and actually read something for a change. And so I am, I’m reading some of the book each night. About an hour and a half each night. And I’m slowly progressing. According to Kindle I have about 21 hours left. So at my pace I should be finished by October, give or take, if nothing pops up that destroys my evenings. As of writing this on 8/26/2025. One of the things I’ve noticed, and I’m struggling with this, is I have a hard time tuning in for fantasy novels. I guess I’m just more geared towards the Sci-Fi stuff. Now that said of the characters I like Kaladin and in some parts Dalinar or whatever his name is. The Blackthorn. But otherwise there’s about 9 or 10 characters that have been introduced that I don’t personally feel any connection to and I get a little miffed that they show up. When I was talking to my brother about the crabber/fisher guy who lives in the lake he’s like “Yeah, he doesn’t come back.” And that stuff annoys me. Like if you have to have a random dude show up for a conversation then you should probably have figured out how to get an omniscient view point or put it in a character we’ve already met. But as I was reading it, I noticed that in our first scene where we’re introducing Blackthorn’s soon to be dead brother, spoiler for a 15 year old book, that some of the Radiant folk were in the audience trying to blend in. And I realized pretty much instantly that Wit isn’t just your standard king’s fool or whatever. I suspect he’s going to be one of those original shardblade holders or a god or something because he just doesn’t sit right when I read him. I don’t recall where I was going with this, but there’s a few places in the story where I see a problem that Sanderson has that I have. When he’s describing the Highstorms, they’re apparently supposed to be a category 10 or 15 hurricane sweeping through the lands. And I myself sometimes over estimate things, and by sometimes I mean often. A normal cat 5 hurricane is absolutely devastating. But having Kaladin be like “Oh yeah, I rode one out under an overhang.” Sorry, no. That’s not very plausible. And to have them ride it out in a wooden wagon is kind of laughable because again you’re talking about getting buffeted by winds that are 160mph. I don’t know about you but there’s very little that survives getting hit by a damn NASCAR at full speed. But that’s minor, it’s like ok someone either doesn’t understand the physics of it, or it’s played up. Considering that most of the characters are probably imperfect or shoddy narrators I would say it’s their understanding that taints this experience. But what do I know? I’m only like a quarter of the way through the book. I like the various little sprites floating around in the setting but they’re a background item. I was very confused about the currency. Because it seems stupid to use this stuff. So if you’re not aware they take a gem, and put it in a glass bead. And depending on the gem is the value and how much mana it holds. The currency is used both for currency and magic… oh and for lighting houses and stuff. It just doesn’t make sense that you’d have this as your form of currency. These Highstorms will recharge gems that I guess have been infused and lost their magic. We see a guy throwing his stuff out into the rain so it’ll be replenished. But there doesn’t seem to be a reason for it, since as Kaladin points out that the chips, as they’re called, lose their luster and can still be used. It’s just the merchants don’t want it if it’s dull. And as we’re seeing with Kaladin either he or his spirit companion are sucking up the magical juice in the currency, burning through them fast. But as of yet we haven’t seen any real reason for Kaladin/Syl to slurp up the tasty mana. My brother pointed out that it’s amazing I figured out that Kaladin is taking the magic and I pointed out in the scene where the king is soon to be dead, sorry about that spoiler again, that the assassin is sucking up the lanterns on the wall to do his flip flip kill routine. He’d apparently forgotten that. But I guess it makes sense that it’s been like 20 or so chapters since the assassin was hookshotting his way through the palace so maybe people are expected to forget that. I will say, I’m also confused about the run bridges to a plateau and then shove them across instead of just building them out of stone and then setting up fortification. They have mo fos who earth bend houses, food bend food into being and guys who will wood bend stuff. Seriously, if you’re telling me you can fabricate fresh supplies with the magic, why are you not setting up more defensive formations closer to fighting. Like the big bad bug guys climb and jump well. But you know, there’s this thing called guards and they stand watch and look for bad guys to shoot with arrows and warn the army they’re under attack. And I get it, the big bad crabby guys can scuttle up the cliffs and have the hops that make his airness Michael Jordan jealous so you don’t want to necessarily let them surround you on the cliffs. But this screams of someone who never won a game of RISK or overwhelming might in Civilization. You can call me Sifu Turtle, plodding along that tech tree until you declare war then it’s Zerg Rush time. I don’t leave cities standing in Civ when it’s go time. In regards to the bridges, it sort of makes sense when you realize it’s only this one guy who’s doing it this particular way and everyone else uses wheels. But when you consider how much effort and energy it takes to constantly raise and lower bridges it’s not worth it. Slave or not that’s a toll you don’t need to endlessly make. In medieval sieges they would clear cut the forest when they got to the engagement. Not have a group of 30 men running them from five towns back to get there. But hey, I’m not expecting Turtledove here. And let’s talk about the power armor, sorry the Shardplate. The magical awesome exoskeleton that can take a hit from a whale sized monster and keep on trucking. Call it what you want. It’s power armor. It just doesn’t fly. It’s the RIFTS Glitterboy minus the BOOM GUN! that is on it’s shoulder. Instead they have shardblades which don’t kill flesh yet leaves it dead? Like uh… what? You’re telling me you have a blade that cuts through any material and vulcan nerve pinches a part of the body? I think the thing I struggle with is that Sanderson is trying to tell this fantastical story and there’s just parts where I just cannot suspend disbelief and let the handwavium take over. I’ve heard time and time again that he creates intricate systems of magic and so far we’ve only seen the hookshot assassin hookshotting to kill the soon to be dead king, not sorry for that spoiler. And boy was that annoying for him to explain. Like, I didn’t need 5 paragraphs to learn that this guy’s ability is to basically anchor himself and make a new “down” or gravity point to where he falls to. Look, that took 15 words to describe. I didn’t need 5 paragraphs to convey that. Your reader isn’t normally stupid and as long as you’re not discussing thermodynamics and things like that they’ll pick it up. Show us don’t tell us. So, I kinda lost my train of thought on what I was supposed to be impression on this. I guess it’s not bad, but man I am not a fantasy nerd. I guess just give me more of Kaladin giving out that main character side quest vibe over the “tactical stuff.” Hats off to Sanderson though, he’s writing and he’s doing what I want to do. So I can’t fault him for that, even if so far this book is more to just remind me why I like things like Have Spacesuit Will Travel, The Foundation Series and The Martian. Oh and give me more hermit craps the size of trucks, please and thank you. Incorrigibly yours, J.E. Flint

I had contemplated taking the Superman approach to this, writing a pre blog with my predictions and the like, but I decided against it. And honestly that's probably for the best. I have problems with the movie, I mean I've yet to find a movie I can't find faults for. But really they're very minor, and that's good. But that said, a spoiler-free review of the Fantastic Four First Steps. I'm going to come right out and say this right now. If you have only the time and money to see one superhero flick this summer, granted this will probably be released in like September but the thought counts, pick Superman. It's not that Fantastic Four is bad, in fact it's probably above average. Hell, the last one had a Rotten Tomatoes score of 9% and if that doesn't tell you everything about the state of the FF movies I don't know what does. It's honestly because Superman is just a better movie for your time and popcorn munching pleasures. Don't deny it, you're looking forward to downing some overpriced buttery popcorn in the theater. The thing is, FF just didn't seal the deal for me, and it was for probably more personal reasons than anything else. So, we're treated to a quick blow-by-blow introduction of the FF and how they got their powers and we're joining them in mid adventure. Thank goodness. The Exiles talked about the birth of the Fantastic Four as the birth of superheroes. And while it's not necessarily true, they are, for all pretense and purposes Marvel Royalty. There are very few story lines that they don't seem to find themselves in. Honestly, arguably one of the best villains in the Marvel universe IS Reed Richards from The Ultimate Universe. But let's get into it. The Thing. Our ever-loving blue-eyed thing. Where was his gravelly voice, where was his accent? Was Microchip from Punisher Season 2 and Shaw's Partner from Person of Interest bad? No, and his voice grew on me as we went on. But it wasn't the voice I would have picked. Now, I did sort of ruin myself on Galactus, I was comparing his voice to Orson Welles as Unicron and then later John Colicos who was the voice of Apocalypse from X-men Animated Series. Come on, tell me you wouldn't have had a shiver if Galactus stood up and was like "I am as far beyond mutants as mutants are beyond you." Or some variation of it. Don't get me wrong, Galactus voice wise was a good choice, it would have been nice to have more of our boy in the movie. Have I mentioned I like villains? I feel like I have. But here's the thing. FF has a LARGE library of rogues to go against. None nearly as memorable as Galactus, Super Skrull and our man Doctor Victor Von Doom. They threw Mole Man under the bus, name checked the Red Ghost and then threw in a few others for good measure. So you could have taken time to give us what we wanted. You know what I didn't pay for? A god damn screaming Sue Richards in a climax point. I'll be honest, I tuned out right there. I just stopped caring about what was happening in the movie, cause I frankly didn't care about Franklin Richards being born. Here's a pop quiz… in a fight between Nathan Summers, the child of Scott Summers and Jean Grey, the sole culmination of everything Mr. Sinister has worked to perfect vs Franklin Richards the first born of Marvel's First Family who wins? Is it a man who can stop the earth from spinning and keep all but a few people from flying off into space? Or the kid who literally conjure up a new dimension on a whim? It's Nath--- It's Frankie. It's always going to be Frankie. And Frankie can McGuffin his fingers away for his family to win. And as an author I just stopped caring because you've literally introduced Deus Ex Machina to your story. Sure, they have to add Franklin Richards at some point, I guess, but why? Why the first movie that's booting up the series? If you guessed it's boring and might annoy the fans, well you got one right here. The other thing, and this is an example of that Deus Ex I was just talking about. Is Sue Storm. Mrs "I knocked out the hulk" was bullying Galactus. Um… the guy who IS the power cosmic? The man who is a living sun? The man who can wave his fingers and giveth and taketh away powers? The man who is older than your entire damn universe? Yeah no. That's just lazy ass storytelling. And that's ultimately why as a Marvel fangirl I'm telling you to go watch Superman. Yes, Superman is uncontested unless it's kryptonite or Darkseid or himself. But you're not having a mere mortal bullying the thing that in some stories has eaten celestials. Yeah, one of the greatest story arcs in my opinion was Earth X. It explains why there are so many champions on Earth for it being an arguably backwater planet. And it's because the Celestials seeded earth and they needed people to protect the embryo from you know who. Galactus. So, you're talking about a guy who was scary, and powerful enough, to make celestials think twice. Entire space campaigns are quick to point out that Galactus is doing something in this contest only because he was forced to be involved. He doesn't care about the annihilation wave or about Thanos doing his thing. Galactus has a table reservation, and he's going to get his appetizer. Even Galactus does not turn down the Red Lobster Cheddar Biscuits. And that's the other thing, Galactus most times isn't defeated by any real stretch of the imagination. He's put off from eating that cookie. He reached out to grab it and a bee stung him, and it actually smarted, and he was like, I can hold off. You didn't beat him, you smacked his hand, and he toddled away to wait until you weren't looking to come back for that cookie. And maybe this time he'll snag another for his trouble. Go ahead, smack his hand again. Now, that's going to be an unpopular opinion that me saying Sue Storm bullying Galactus is stupid. I'll take that heat. But it doesn't change that the writing is bad. They were twisting themselves in knots to avoid the Ultimate Nullifier. So, they went from one McGuffin to another. And that doesn't make it better writing. Arguably that might make it worse. Now, Sue Storm IS a powerhouse. She's probably the most powerful member of the team. Sure, Johnny ain't no slouch at all and Reed's brainy, and in some cases can shape his brain to give him the ability to use Cerebro… Earth X was wild man. But Sue's force fields are very durable, and the only limitation is her imagination. So, I guess I'm saying I don't like Sue. She basically made it, so I've watched the movie once and won't be coming back. There were several parts she was talking, and I was like "And skip." That's not the attitude you should have as an audience member. And it's not like the actress did anything wrong. She was everything that you'd expect from someone playing Sue Storm. Just, don't put damn labor in my superhero movie in the middle of an action sequence. An Action sequence that had our Silver Surfer been taking it seriously would have been point 2 seconds of fight. It's amazing how everyone forgets like everyone in the comics have projectile attacks. One good old ZORT or KABLAMO and there is no more chase sequence. It's a scene where our heroes are slowly dying from lack of oxygen while these two gods are just walking by them with little interest. Is it better than 9% on Rotten Tomatoes? Oh, most assuredly. Is it better than Thunderbolts*? No. No it's not. Honestly After Endgame I haven't watched any of the Marvel movies, outside of Spider-man No Way Home, more than once. They just didn't leave lasting impacts. Iron Man, and hell I've watched Thor Ragnarök probably a dozen times now. And Sue, outside of literally pushing out a baby, providing Mr. Fantastic with a terrible idea, you should understand it as soon as he mentions it in the movie. I feel for the “smartest man” on the planet he didn’t think that plan through, she didn’t do jack shit in the movie. Hell Johnny Storm, her younger brother took like 4 words from Silver Surferette and translated 28 galactic records into a language, taught himself and become fluent in roughly three months. Mr. Fantastic said that everyone of the FF was a “scientist” um… really? Cause the only scientist type seemed to be him. Now Ultimate Sue Storm was a genius who was into Physics and then later Inner-Space Biology, whatever that is. But I mean, you made her useless. In the original 616 she was a damn spy for SHIELD, you couldn’t have thought of more than just making her the ultimate pusher? This is a rare, after blog post edit update. I saw on a youtube short how Vanessa Kirby was so proud that she got into Quantum Physics. Ok... cool. Where in the hell does she Quantum some Physics in the movie? If it's in the extended cut then that's one thing. But if it's just her, the actor talking about it for the character, then boy oh boy was that a damn waste cause I'm wracking my brains for any science scene that was potent with her. She was doing more UN and Foundation/Charity stuff, which nothing bad. I'd want Sue as the face over Johnny and Reed anyway. I know Feige is a big Marvel nerd, but I feel at this point since these characters have been around since the dawn of comic books, it's pretty easy to do research and figure out ways around this without having to shove a round peg into a square. The folks who are against superhero flicks will say that's because they aren't art and are trash. Look, I've watched a lot of art pieces that were poorly written, and they were trash. Looking at you Der Himmel über Berlin/Wings of Desire. Man did you ruin a horrible film theory class for me. Of course, what was I thinking taking a film theory class anyway in college? I guess we should remember… no need to fear, they're here. Just call the four. And before anyone asks, yes. I have the Galactus popcorn bucket head. What am I? Some sort of hater of art? Incorrigibly yours, J.E. Flint

One of my favorite quotes from Training Day is when Alonzo Harris goes on his whole spiel at the end of the movie about what he's going to do to all the onlookers. But the unmitigated bravado to say "King Kong ain't got shit on me." That's a line that stuck with me. But to some point, it's true. And I feel the exact same way currently. I'm never going to be Tolkien or George R. R. Martin; I'm just not built to be that type of writer. But you know what I have the capacity to do? Integrate and expand. For instance, some of you know about my old webcomic The Chronicles of Loth. A Dungeon and Dragons game that I turned into a webcomic, and when that was over, I moved on to writing novels. But I was never done with it. Not by a long shot. I had so much to do there. But my fear was that I wasn't the writer for the job. Sure, a few fans were talking to me and encouraging me to keep going, and I was. In the background I'd thrown items into a crockpot and walked away to do other things, still letting it percolate and develop. Building a Pantheon But one of the biggest things that had gotten me was the Pantheon. In the webcomic we're introduced early to Zieki The Celestial Father who is head of his own Pantheon, specifically the moons and sun. But I knew I wanted more. So I set that in the back and worked on Altered Realities, which was originally just a Chronicles of Loth story, in that I introduced Lista, the elemental goddess of water. And of course a water goddess needs sisters and brothers... and then we had our elemental gods. But they were neutral folks. And that led us to 32 other gods. I already knew I needed top tier elder deities to call the shots, and no way they weren't going to have subordinates... and yeah. So one Pantheon now had more or less been completed with the aim to be balanced. And then Zieki needed his own choir and we had some demons to combat against them and potentially make them have conflicts with all the gods. And then above them 13 more gods. Well, yeah, I have 68 gods in such a state that only about 15 need to be finished fleshing out. Which will certainly happen. The Scope of World-Building I've already nailed down the majority of our 8,000 or so years of timeline. But recently I realized I couldn't call the Chronicles of Loth the whole show. I always was going to have more books in the world, and I've been working on those. Recently I've been working on some short stories for Brooke Amira which take place in and around what Loth and crew are doing. In fact, Brooke's final story is going to be in... spoilers... The War of the Kings. Which is going to be like... book 8? Cause the first three are Loth and her crew, then we're going to have a few books devoted to the children of heroes, then the War of the Kings, and then a few books after that. But anyway, the name of the series will be The Sundered Realms. We'll have sub books like The Chronicles of Loth so you can see what it'll be. But it'll be like Star Wars or Star Trek where there are series inside of it. For instance, The Thrawn Trilogy or the Hand of Thrawn Duology. They're broadly listed in Star Wars, but if you mention Heir to the Empire Trilogy or Thrawn Trilogy, everyone knows what that is. Word Count Bragging Rights I was thinking about this off on one. This year I've written about 160,638 words, it's July 24th by the way, in various sci-fi works, but I haven't been counting the work I'm doing for world-building, like fully fleshing out some 65 gods, their domains and the timeline for this. So I'm capable of at least getting the words on page; whether or not it's any good will be the question. Folks would argue Brandon Sanderson is just slop/slocky writing and that he just pushes stuff out. I've not read any Sanderson so I can't really weigh in on his quality. If he's anything like David Eddings I'd probably like his writing, and my bro has read, I feel, damn near all his books. I'm not even counting my blog posts in my word counts. So yeah, I'm saying King Kong ain't got shit on me. When I finally get around to writing more than the first chapter of The Chronicles, then I'll get going. By the way, that was started in 2013 and has been touched off and on since; the last update was just last month, where I was reworking the touch and feel of the Treori in their home kingdom. Marathon vs. Sprint Altered Realities took me about 10 years to write, but I had a lot of going back and forth and manipulating because I was dealing with altering reality as I worked on the story. I've learned from my mistakes and have started to do outlines and quick drafts to get the ideas out. It's a marathon, not a sprint. Not to say I can't sprint, I just don't seem to do it as much as I used to. A Goddess's Gifts was done mostly in a week. I was waking up at like 6 AM to pound away for 2 hours, had some breakfast, then more writing until noonish for lunch, then more writing until like 5 or 6 for dinner and then more writing until 8 or 9. The only breaks were for walking the dog and restroom/food. I was sprinting for that one. 50,000 words, give or take, in a week. Now, whether it's worth reading or not, you be the judge of that. I'm just here trying to break my back patting myself on the back. And knowing me, there's probably at least three more blog posts I'll write before this one ever sees the light of day. But hey, that's what happens when you've got 68 gods demanding attention. Incorrigibly yours, J.E. Flint

So, I'm doing something a little different with this one. As I write this it's 09:08 on July 11th. And my brother wants to go see James Gunn's Superman. Normally I don't write the blog post before the movie, but this time I thought I'd do a sort of pre and post draft. Cause it's Superman, you can sort of get away with that. And what I mean is that, largely, a Superman film or a Superman comic has certain action beats that you encounter. And arguably the biggest one is that Superman struggles for a bit with something and then just decides to get serious and the problem is solved. It's pretty standard, and I was talking to a coworker about this and he was talking about how much he liked Superman. And well, I don't. He's a boring character. Now that stated, there is something to be said about that power fantasy of just rising up and beating the snot out of a problem. Like when I play Elden Ring, I'm on playthrough like 10 on the PS5 now, I envision myself in that first playthrough as the scrub who has to "Git Gud." And then I beat the game and I'm "Gud" and then the 2nd time through with the same character I'm one of the end bosses strolling through the game taking in the sights. And by the 3rd iteration of beating the game I'm the full "I am the lord of all that is golden" or "I am the avatar of the frenzied flame." The unstoppable juggernaut. And there's some appeal to that. But this is a James Gunn movie. Don't get me wrong, I loved Dawn of the Dead, Slither, and Guardians of the Galaxy, and his version of Suicide Squad was miles beyond the original with Will Smith. He's going to take some of the giants of D.C. and attempt to make the Justice League movie. And that's something DC has been wanting to do for a while. And I don't think it's going to work. Oh, it'll be a blockbuster success. Superman movies pretty much, like Batman, sell tickets. And people like James Gunn's Guardians and his Suicide Squad. But the thing is Hawkgirl, Guy Gardner, Mr. Terrific, and Metamorpho? You tell me which of those heroes has a sense of humor. I'll wait. So Mr. Gunn is going to be taking mostly serious characters and throwing them into a situation where they need to work together and become buddy buddy. Most of us know Hawkgirl and Metamorpho from Justice League/Justice League Unlimited. And Hawkgirl had some zingers, mostly at The Flash's expense. But Flash was funny and set himself up. But what were any lines Metamorpho had? None that are really worth remembering, but that could be excused because JL/JLU had so many characters you couldn't give them all the spotlights they needed. They all don't get to be Question and Huntress or Black Canary and Green Arrow. No, I suspect we're going to get a Bloodsport sort of thing. Where this one serious dude is stuck in the middle of a bunch of clowns. Superman is known as The Boy Scout by a lot of characters in the DC universe because he's always fighting for Truth and Justice and tries to redeem/see the good in others. Admirable traits and I can appreciate that. But you're telling me that Nathan Fillion as Guy Gardner is going to be completely straight-laced without jokes? Naw. That's not happening. So, my prediction is that Superman is going to be the straight man, just like Idris Elba, and we'll have someone playing opposite him as Peacemaker/John Cena. And the others will be quirky characters. Who those are? Couldn't tell you. I looked at the IMDB page at the cast, and I'm already bad at names of actors, and I didn't see anyone I really recognized. I recognize Wendell Pierce and Frank Grillo and Sean Gunn, he's in every Gunn movie it seems, oh and of course Alan Tudyk, I'd recognize that crotch shot anywhere. For those not in the know, reference the jokes to him on Andor/Rogue One. But yeah, none of these guys are folks I really recognize. But when it came to Guardians I really only knew Dave Bautista, cause I used to watch wrestling. I knew the girl who played Gamora having seen her in various places but she wasn't a headliner, so to speak, and Chris Pratt was just the dude opposite Ron Swanson. Anyway, time to wrap up the pre-movie thoughts... I feel like this is going to be a long blog post. And as it stands there are 3 other blog posts before this. So, it won't be out until like August 28th. And of course, the Fantastic Four is going to be coming out next and that's going to be even later. The joys of a backlog of blog posts. As promised, part two of this. It is now 7:55 on July 11th, 2025, and I have seen Superman 2025. Saw it in a theater at 11 with maybe 6 other people. It certainly wasn't a packed house, which I like. I hate having to struggle to find seats, who doesn't, right? Anyway, so the movie is, well, it's a superhero movie. If you're expecting flying fists and explosions and that sort of stuff, congrats, you'll give it a standing ovation like the two dudes in front of me did. For some reason. This isn't a bad movie, does it have problems? Yes. What movie doesn't? Some of them are, like in my case most likely, a matter of taste. Hawkgirl screaming like a bird of prey got annoying the first second she did that. And I hope she's quietly forgotten in the next movie. Which is sad. I actually really loved Hawkgirl in JL and JLU, she was probably my favorite female character. But again, minor gripe. I also felt the theater volume was spinal tapped up to 11 for maximum reverberation. Supergirl walking on for all of two seconds and then saying "Peace out, bitch." Yep, that's a square go fuck yourself right there. There is no profanity that I heard in the movie. And the explanation that she likes to go to other worlds with red suns and get trashed. Great, you're telling me she's the Kryptonian version of Lobo. And I'm sure it was supposed to be cutesy and quirky but that minute or so of dialogue and interaction just killed Supergirl 2026 or whatever for me. And the general feel of the movie. It was Guardians of the Galaxy. Which nothing is wrong with that. Your cast of actors acted and largely did a good job. But there were a lot of moments where I could close my eyes and be like "Oh, that's Star Lord." That's generally not a good thing. But I will say in this particular case that James Gunn actually made Superman seem human. Like you can actually feel like he's a lived-in character. Normally he's just a dull brick used to solve problems by smashing things. Superman saying "He's punk rock" was somewhat adorable. I'm not punk rock, but anyone who makes that claim should get an arched eyebrow and a look that speaks volumes. But, that's not a complaint in this particular case. It's some of the characteristics they decided to impart in this version of Clark Kent. But I could go on about how Luthor, like most incarnations, just doesn't live up to the hype. It's really hard to compete with Clancy Brown's voice for Luthor. That Luthor felt menacing and like he had everything planned out. This one, if I were told he's Luthor just starting out, I could believe that. He didn't have most of the sophistication of the Luthor I love. But you could see him doing those Luthor things. And I will say one last positive note about Superman 2025. There is something about that theme. I've never liked Superman, but I find myself occasionally listening to the Superman theme Christopher Reeve had. And I won't lie, I got a little teary eyed. And the kids raising the flag and pleading for Superman, that was probably the highlight of the movie. Not the fighting the raptors, not the fight against Planet Watch, not even the end when Clark is talking to Luthor about how he's as human as everyone else. Until Krypto came in and tried to kill the villain. But the entire Krypto thing, as a dog owner, could earn an entire rant. So, I suppose, go see it. I've already been told by two of my friends regardless of my thoughts, they'll see it. And that's A-OK. Just because I have mixed feelings about the Guardians of Justice/The League of Galaxies doesn't mean others won't. Just maybe wear some earplugs and realize that this isn't a Superman movie. It's a James Gunn Film, for better or worse. I feel like I've been doing a lot of movie things, maybe I should go read a book, you know, since I pretend to be an author. Incorrigibly yours, J.E. Flint

So, I've mentioned in the past that I've watched, or am watching, My Hero Academia, like most folks who are into Anime. And I'm all caught up on that as far as the Anime. I didn't start reading the manga and have been doing my best to avoid spoilers for the show in general. This is not to say I don't read manga for the shows I'm interested in. It just tends to be more of a "This hasn't updated in xyz time so go read the manga." Like Berserk. I watched the 90s anime and loved it, especially the bloopers they have. And so I went to read it and was more than a little pleased to see how long it was. But that was a problem, because I caught up and the fans weren't translating fast enough. First world problems, I know. But again, I read the manga generally when everything is done so I can see what was different. Now that stated, I started watching My Hero Academia: Vigilantes and I am struck by how unnecessary this is to the overall universe of MHA. There were questions answered that probably few people wanted to know the answer to. For instance, how did Stain lose his nose? Did you know he went psycho and cut it off? Yeah, he did. Which is so much cooler than losing it in a fight with a "false hero" and really cementing his entire life. But nope, he has one run-in with freaky fist grandpa and decides to mutilate himself. Cause reasons. Then you add in the entire drug that enhances quirks thing. Which we already saw in main continuity with the Overhaul arc. Sure it's All For One behind it, that's cool. And technically that arc is dealing with the power loss drug that he's developing. But the Trigger drug they're using seems to be a more potent version, and appears to be in a near infinite quantity that it doesn't make sense they'd be using the weaker US stuff unless they just have no money. So far, 2/3rds of the way through the first season and I'm not seeing any reason other than this guy was working under Kōhei Horikoshi. I don't fault the creator of Vigilantes. The same thing happened with Dragon Ball with Toyotarou where everything he's ever done has been in the Dragon Ball "universe." Broadly because some of it is his own but it's still more or less Dragon Ball. And just like in Dragon Ball, the apprentice isn't confident enough to stand on their own in a meaningful way. Now that said, Kohei has several other pieces of work but they've come back to the MHA world multiple times. And there's nothing wrong with that. Sometimes you just want to revisit familiar properties and make your own spin on it. I'm personally rewatching Person of Interest for like the 5th time. And I keep shaking my head at the forced love interaction between Mr. Reese and Carter and then Mr. Reese and the psychologist. You already had a perfectly good love interaction you could build on with Zoe. The other two feel forced, and rushed, and then ultimately dropped. As an author I look at that as a waste of the potential. Now I know because of TV not everyone can be there for everything, but sometimes adding something doesn't make it right for the story. And that's what MHA: Vigilantes feels like. That what is happening in this doesn't feel right for the story. The exposition episode about Rhode Island having the first licensed heroes. Cool I guess, but it wasn't a piece of trivia I wanted to know, or even cared about. I will say it's nice that it's not in Japan. In the 80s and sometimes in the 90s it felt like Japan never left its own shores in Anime/Manga. But overall, I feel robbed watching Vigilantes. And there's no real good reason why. Like, I was asking in the original if Deku was so fixated on being a hero without a quirk why didn't he work out? Why didn't he train? Why didn't he put in the time and effort to work both his mind AND his body? The answer is because he would have become Knuckleduster, and I guess they couldn't have had two of them. But also in the original there's the entire lecture they have about going off and fighting Stain, and how because they're not licensed heroes that it's wrong... somehow. I've had a blog post about how I can't be a hero/nice guy. Because seriously if I had a super power I'd be using them already to save/help people and if some dog-headed POS tells me that using my powers to save someone and the bad guy got hurt is wrong, that would immediately make me never want to get registered. I'd become Rorschach from Watchmen. Do I get it that you need laws and regulations to have order? Yes. Do I agree that I should get in trouble for doing the right thing? No. Which is why it's so weird that you can get sued for saving someone's life. But that's a potential blog for people who understand laws. I'm just saying as far as Vigilantes is concerned, I feel like we could have had way more chances to tell the story focusing on the hero work pitfalls and hurdles and deal with the fact that we see them struggling to live a life... oh wait. We do have that. It's called Marvel/DC Comics where our super heroes, pre-civil war, were just going about their day pretending they're normal people and then when danger hits it's spidey time! This blog post is probably doing an injustice to this creator, I applaud them for producing 6 different manga, although 2 are MHA and one could be seen as an adjacent one. And I applaud them for winning like 14 awards, again for MHA. I'm an unknown who's doing this so they're worlds above me creatively. So we can probably just blame the corporations who want to keep churning out safe and familiar properties. I think it was best said by Brodie in the Jay and Silent Bob reboot: "Studios have given up on new ideas entirely in favor of building multi-movie universes that breed brand-loyal customers from cradle to grave." So, maybe that's why I don't really like MHA: Vigilantes. I wasn't in favor of making an entire franchise with multiple but same spinoffs for this. But what do I know? I'm just some random dork on the internet. Incorrigibly yours, J.E. Flint

You can thank Beetlejuice Dos for this blog entry. Because of the writing of this on June 15th, I had finally gotten around to seeing this on Netflix. At some point I’ll watch Wild Robot. But this movie struck me as oddly meh. And I’ll try to explain it but also point to a few other movies to highlight my point, hopefully. I do tend to ramble on. So one of the things that struck me as odd in this movie was the choice of music. It’s been awhile since I’ve watched the original but there were 2 stand out themes in the original, Day-O and Jump On The Line. But in this one they had a number of songs that I felt they were hoping would catch the stand out moment of Day-O. And the Macarthur Park song, or as I immediately recognized it as Weird Al’s Jurassic Park, was just a bloated mess. Here's the thing that I think the creators of the sequel lost sight of what Beetlejuice was. When it came out, there was nothing like that in the theaters. And the Day-O scene comes very literally out of left field and provides some energy to the second half of the movie. In the sequel they had the Macarthur park bit, they had a scene where the man himself is lip syncing to like Wonderwall or whatever and then they played Day-O for when Charles died. As if that’s not disrespectful enough, they killed him off camera, but to lower him into the ground while a chorus sings Day-O? I mean, I get it. The actor is a pedo and there’s no chance in hell he was coming back, but they could have just skipped it. A simple line of “Oh, Daddy went to the seashells and saw a new bird.” Implying that the husband was unfaithful but still calling back to the whole bird watching thing. But anyway, the big dance number in the sequel doesn’t do anything. At All. In fact, it had me after a minute wandering away to go do the dishes. And that’s the last thing you want in your entertainment. Like if it’s good, you’ll pause it. But there were a couple of times I walked away for five to ten minutes because it was just meh. And It wasn’t like I really missed anything. The B Man isn’t driving the story, Lydia is just a pale shadow of herself, the movie follows the child who might as well be the cartoon version of Lydia. So chunks of the movie were just padding. Now to pivot slightly. Matrix. Matrix when it came out was a breath of inspiration and awesomeness. Yeah, Dark City had just come out but between the two Dark City is, surprisingly, more grounded and easy to gloss over. There were no effects in that movie that turned the industry on its ear. But the Bullet Time scene where Neo’s dodging bullets? The wire kick from Trinity at the front of the movie? Those became a staple in a lot of stuff. So much that I recall distinctly in Shrek when Fiona does the Trinity Slow Mo Float Kick, I’m sure it has an official title or something. But other movies saw it and began to copy it. When the sequels for Matrix came out, they were coasting on fumes. I don’t think I’m the only fan who was, in hindsight, realizing that the other two were not as good as the original. And it certainly was pretty crap when they came back for the fourth movie. The fourth film basically wanted to undo everything that happened in the series when it didn’t need to do that. The Trilogy was perfectly fine as it was. It didn’t need a fourth. And I’m not saying that out of any hatred towards it. But it didn’t tread any new ground, not really. You know what you could have done? A side offshoot of the Matrix. The entire “the angst and self wounding” runs the Matrix now? Cool. We already pretty much knew that from Smith’s “a perfect matrix ruined entire crops. Humans want to be miserable.” Yeah, nothing new there. Jumping in and out of mini mirrors, ok that could be something. Doesn’t necessarily need to be in The Matrix. It could just be called Mirrorverse or something. But you know a series whose follow up movies didn’t suck? Lord Of The Rings. And that’s because the first three were filmed concurrently across multiple movies to keep the same energy and tightness. But you come back for The Hobbit and you can see that the executives were looking to grab cash and just wanted to slop it out there. Folks who know me, know I find Tolkien’s writing boring. But I’ve read The Hobbit and 3/4ths of the LoTR series, I always stop after the Battle of Gondor in Return of the King. And that’s ultimately what happens in many cases of sequels. They try to recapture the lightning in a bottle and very rarely do. You know the most egregious examples of sequelitis? Pick a horror franchise. And it’s particularly bad in horror movies. They’re generally lower budget and schlocky as hell so you’re not expecting much and then you get Howling 2. A movie so bad legendary actor Sir Christopher Lee apologized to Joe Dante. You must have really screwed up to get James Bond/Gandalf to apologize for being in your movie. Then you get Jason Goes To Hell, or much as I love it, Jason X. Why does this happen? Because the studio wants to keep banging out movie after movie and drain the well. And when it’s done, they look to reboot the franchise. Not realizing that most of us just want new fresh content. Not necessarily something to blow our socks off, but something that makes us remember what happened and talk about it over and over again. The Slow Mo Bullet Dodge, the Day-O scene, The Tears in the Rain scene. The only reason I could tell you what’s going on in the B sequel is because I just watched it. Nothing about that movie makes me want to buy it and watch again. I’ve got most of the Ghostbuster movies, somehow I got the 3rd one for free, and I have yet to go back and watch the ones with the stranger kids. I’ve rewatched Ghost Busters 1 probably a dozen times. Hell, Tremors 1 and 2 are essentially comfort foods. I watched 3 through 6, I think there’s 6, and I just can’t be bothered to go upstairs to pick up the DVD pack with tremors 3 and 4, but I digitally bought 1 and 2. It’s probably partially cause I’m old. But it’s partially because the sequels just don’t grip you as much as that first hit. But speaking of old, one of the many things that goes against sequels is that fact that the cast is never going to be that same person as the original. If they take any break, then they lose that mind set, they go on to other projects or a new director comes along and the magic of your first is gone. So what have we learned in this wandering diatribe of a blog post? Just don’t do sequels and expect them to be as good as the first. Incorrigibly yours, J. E. Flint

When you're Evil... or how to ruin your writing I don’t make it much of a secret that I enjoy a good villain, but that’s just it. A good villain, be it the right hand man of the main baddie or the main baddie itself. A well written villain can chew up the dialogue of a scene without complaint from me. But more and more I notice that the villain just isn’t really all that villainous. I’m reminded of the exchange between Megamind and Titan “Oh, you’re a villain, alright. Just not a Super one!” to which Titan asked what was the difference and Megamind ever the king of drama waits a beat and then pops off with “Presentation!” And in a manner of speaking he’s right. Part of the reason people remember the heroes are the villains they conquer. If I mention Flash or Batman you’re going to name probably Captain Boomerang or Joker. Maybe Mirror Master or Bane, dependent on your love for villains. Say Spidey you think of Doc Ock, Green Goblin, maybe even Kingpin. You certainly think Venom and maybe even Carnage. Are you thinking The Walrus or Stilts Man? It's the same in Anime. You mention Full Metal Alchemist and everyone begins drooling at Fuhrer King Bradley, which I’m going to be honest took me a while to realize Bradley’s first name is King. I had mistakenly assumed it was a translation issue when I kept hearing Fuhrer King Bradely, assuming they were adding in the king after Fuhrer. Nope it’s his name. And why is Bradley so good? Partly the voice work, partly the fact that he goes from an amicable leader type to a cold blooded killer without hesitation. How he’s smoothly condescending and often in charge. Having finished watching My Hero Academia the fourth movie and being reminded how All For One is sort of an after effect of the villain made me think of this post. In most cases when you write your villain there should be something that motivating him. Like in the case of Strahd, he’s searching for the woman he coveted. Soth is propelled by his arrogance. Thrawn is smoothly tactical driven by his need to protect the universe. Your best villain is a villain who doesn’t seem themselves as villains. Like Thrawn. He’s doing evil things and all in order to protect The Chiss and the greater universe at large against a larger threat. It’s the same sort of thing in Fable III, only your brother is kind of weak. You can’t JUST have a character who doesn’t believe their villain, who doesn’t believe they are acting in the wrong. They must have the will and the strength to act on it. They also must be likable. No one is going to like a temper tantrum throwing baby. Look back at some of the qualifications for a villain 1. Clear, understandable motivation that makes sense within their worldview 2. Genuine belief that what they're doing is necessary or right 3. Moral complexity that occasionally makes readers question if they're entirely wrong 4. Competence and intelligence that creates genuine obstacles 5. Agency in driving the plot forward rather than just reacting 6. Charisma or magnetism that explains why others might follow them I dare you to find a group of top tier villains who don’t check most of these items. And this is just a short list, I’m sure AI can come up with about half dozen more variations on this. So I guess I’m asking, how many punches on the punch card do some of your favorite villains have? I’ll take my personal favorite villain, Grand Admiral Mitth'raw'nuruodo, the one I hold most other villains up to. • Strategic brilliance and adaptability – Thrawn studies art to understand cultures and predict enemy tactics, demonstrating a unique form of intelligence that makes him consistently three steps ahead of the heroes. When I read it I thought it was a unique approach and some of it is very gimmicky. I don’t know if I could look at someone’s art collection and say oh yes based on this they’ll do xyz. The analyzation of the art is just an over simplification of his ability to look into the person and anticipate his and a good chunk of this is knowing that you want this ability and letting him metagame his way to a solution. Still cool when written correctly. • Calm, collected demeanor – Unlike Vader and his volatile anger or Palpatine’s simmering but directed rage or even Tarkin’s menacing chill, Thrawn is a composed presence which makes his calculated actions more chilling; he doesn't need emotional outbursts to be intimidating, and yet he does have them. When he grows more chilled and focused you can tell you’ve angered him. This in general is just a good trait to have for your villain, that cool level headed outlook. • Ethical complexity –Thrawn does his best to avoids unnecessary casualties and values efficiency over cruelty, like when he pulls back his troops because it would be a waste. But counter point this to where he doesn’t let the enemy escape if it doesn’t fit his plan. He’s very much about protecting his people to execute his plan, creating moments where readers/viewers question if his methods are actually more humane than some "heroes". • Loyalty to his people – His ultimate motivation is to protect the Chiss from greater threats in the Unknown Regions adds layers to his Imperial service, suggesting he's using the Empire as much as it's using him. While we never see what the threat is, we can guess who it is. But the fact he did everything he can for them shows that he’s a villain who is acting for what he believes is the greater good. So I ask you, which of your favorite villains can you make a bullet summary and back up as to why they’re cool and top tier? I’m sure if I tried hard enough I could redeem some villains but the Super Villains don’t need to be redeemed. They’re perfect the way they are. Incorrigibly yours, J.E. Flint

So I finally got around to watching My Hero Academia The Movie You're Next. And boy... it's a movie. It's not a bad movie and it only mildly succumbs to Sequelitis, where in a sequel is never as good as it's original. Though I argue that there's at least three movies that are superior sequels to the original film. The Empire Strikes Back is a much better movie than A New Hope in most metrics. Terminator II is just a better movie than Terminator. And of course, Godzilla King of the Monsters is a better version than 2014's Godzilla. But it's not even really that it's a movie sequel that I have problems with. It's the fundamental nature of My Hero Academia in general. It suffers from some of the things in the marvel movies. Like in a marvel movie, you've established that you have multiple heroes running around. In Thunderbolts* or Captain America Brave New World, you should have had Rhodes A.K.A. War Machine helping. He actively works for the United States Government, Skrull or not, if Uncle Sam orders him somewhere he's duty bound by his oath to do it. MHA suffers from the problem in that Two Heroes is cannon, more or less, and takes place in the main continuity and outside of one character in the movie appearing in the series you could be forgiven for it not being considered cannon. However, the island adventure and world heroes are, to the best of my knowledge self contained and doing their own things, but they are cannon. So slot them in wherever and ignore the fact that they never get mentioned again. But the 4th one is taking place between upgraded Shigiraki's rebirth in season 6 and the UA Fight in Season 7. But here's the thing, in the series you've told us All For One is a criminal mastermind, a tactical genius, always plotting and moving pieces on a chessboard and manipulating things in the background. The dude has enough pull to tell the criminal underworld to go wild and start wrecking havoc. He's been around like 100 years doing his own thing. And his own thing is being the top dog. And he told Best Jeanist that his quirk was nothing special, it was the work that Jeanist put into it. So AFO only wants strong quirks. You're telling me, a dude so well connected that he could signal the world to go into riot mode doesn't know about Overhaul's power? He doesn't know about this Alchemy power? Perhaps he MIGHT decide to not take those quirks for himself because of criminal loyalty or something, and I could see that too IF AFO had shown us the audience something other than crushing those before him to be the demon lord and amassing power. He's like Sauron, he wants to be King of the Mountain and he doesn't share power. AFO is even using Shigriaki for that end, he has no desire to really see the kid succeed him. He wants to supplant him and take over his younger and healthy body. But ask yourself, if you heard rumors about a guy who can take people apart and put them back together, healing others. Why isn't that power in his possession? Even if all he did was bring OH into the fold offering him the very thing he wanted, a distribution network and brand recognition? We've seen he can make copies of the power, so there's no reason he can't just duplicate the power and keep a lesser version of himself or ask Overhaul to fix him. And finding out about Erie and her ability to rewind time on a person? Again, that would be a marvelous gift to his scientist doctor for experimentation. I get it, writing is tough. It really is. You can't just slot in a brilliant bad guy and not have him doing something. He's the Big Bad Evil of the campaign. You set him up that way. So him to not gain power for himself is foolish. Even more so when in the series we see OH loses his powers because he loses his hands. The quirks no good to him right now, make the deal to take the quirk and fix his hands and give him back the copy. How likely is OH going to know that his quirk is now a copy? It didn't really seem like there's a limit or indicator of it when AFO copied his own quirk and gave Shigiraki his original quirk. And that's sort of the problem with the 4th movie. You have AFO sitting in a cave twiddling his thumbs while Shigiraki is healing up. You could literally have him react out and be like, "Let's chat." In actuality, what would have happened is that AFO would have strolled up to these villains and made them offers they couldn't refuse. More so if the villains don't know how AFO's powers work. Don't get me wrong, it's cool to see the fights and all, but it's not how you've written your character. If you're going to write a villain to be a villain, he's gotta villain. When I was writing Ian Chanter for Altered Realities, there was only one goal I had. Don't make Ian a weak villain. I like me a good villain, and there's varying levels of villains that need to be addressed. But Ian was smart and capable. He was a thinking villain, and he made sure that things worked out in his favor and knew when to cut and run. Aite in A Goddess's Gifts was a crafty, though overly cocky villain. It's hard not to be cocky when you're a goddess. But she was scheming for thousands of years for her plans. Plans that you wouldn't think a Chaos God would be doing. The entire idea is that they chaos and reap its benefits. But do you realize how much planning one has to do to make chaos work without just random handwavium to get you the expected outcomes? So I guess what I'm trying to say is if you're going to give us a mastermind you better damn well make sure he's living up to his capabilities and you ensure the story is written around what he's doing. Which this movie really doesn't have. This movie has a guy who aspires to be All Might, and he talks a pretty good game but that's all it is. A game. He is absolutely not a good villain. He had three henchmen I would have made sure never left my side and instead he flat out kills one of those henchmen. Spoiler in a world where everyone has super powers the guy who turns that off? Yeah, you keep his ass close to you so you can turn off other people's powers. I swear, writing is hard, but sometimes being an INTJ watching movies is harder. Incorrigibly yours, J.E. Flint

Let's be real, critiquing films is basically a nerd's sacred duty. Not everyone can do it, and certainly not everyone can do it well. And by "well," I mean with the kind of surgical precision that comes from consuming more media than most people have hot dinners.” Luckily I eat a lot of cold cuts. I've always been that person who can't just watch a movie. Oh no. I dissect it like I'm performing an autopsy on narrative structure. Was the world-building coherent? Did the magic system make sense? Pro tip: Most don't. Looking at you, Harry Potter. Did the protagonist's motivations feel genuine, or were they just another cardboard cutout designed to move plot points around? Take sci-fi films, my first love. I'm not interested in pretty explosions or lens flares. I want to know if the technological premise holds up to even the most basic scientific scrutiny. Philip K. Dick didn't just throw random tech into his stories he made you believe. When I review a film, that's my benchmark. Can you make me believe? And honestly it’s hard for that to happen. My reviews aren’t some sanitized, press-release-friendly pablum. They'll be honest. Brutally so. If a film deserves evisceration, I'll bring the surgical tools. If it's brilliant, I'll explain precisely why. No punches pulled, no sacred cows left standing. And yes, I'm fully aware that my opinions might ruffle some feathers. Good. That's what the Tenets of Incorrigibility are all about. Speaking truth, even if it stings. Be yourself with as little compromise as possible, right? Plus, let's be frank - after spending a decade of world building for stories that make actual sense, watching most Hollywood productions feels like intellectual torture. Someone's got to call out the nonsense. And while I’m not on the levels of Nerd Explains or Filmento, I at least have my own brand of getting the job done. So buckle up, film world. The Incorrigible Author is coming for your narratives… next time I can afford 40 dollars worth of movie tickets, popcorn and soda. That maybe their saving grace, waiting for me to watch it on digital release when the film is 5.99 instead of in the movie theaters. Maybe I should call those reviews Video Rentals… Incorrigibly yours, J.E. Flint